In 1973, Western music was banned in the People’s Republic of China. But in a remarkable breakthrough cultural exchange, the Philadelphia Orchestra conducted a tour of closed-off China, becoming the first American orchestra to visit the communist nation. Jennifer Lin’s Beethoven in Beijing provides a fabulous photo-rich oral history of this boundary-breaking series of concerts the orchestra performed under famed conductor Eugene Ormandy.

Lin draws from interviews, personal diaries, and news accounts to give voice to the American and Chinese musicians, diplomats, journalists, and others who participated in and witnessed this historic event. Beethoven in Beijing is filled with glorious images as well as anecdotes ranging from amusing sidewalk Frisbee sessions and acupuncture treatments for sore musicians to a tense encounter involving Madame Mao dictating which symphony was to be played at a concert. 

A companion volume to the film of the same name, Beethoven in Beijing shows how this 1973 tour came at the dawn of a resurgence of interest in classical music in China—now a vital source of revenue for touring orchestras.

Jennifer Franklin reimagines an Antigone for our times in her third collection, If Some God Shakes Your House, where filial devotion and ossified roles of gendered labor become the engine of her defiance. Franklin’s Antigone is ferocious, feeling, and unafraid of the consequences of speaking the truth to power about the political atrocities she has witnessed and personal traumas she has withstood. With a sensitivity that equally elevates the quotidian and the classical, and an attention that moves from the ancient ruins of Pompeii to the right of bodily autonomy and agency stripped away by our own Supreme Court, Franklin reveals the high stakes of our moment where “the one who does the judging judges things all wrong.” Franklin’s Antigone has embraced the sacrifice of self for something greater—a dual devotion to her disabled daughter and to her art. “For twenty years, I have been disappearing,” she writes in the book’s final poem, yet she continues to sing.

Constantine Slobodchikoff and colleagues synthesize the results of their long-running study of Gunnison’s prairie dogs (Cynomys gunnisoni), one of the keystone species of the short-grass prairie ecosystem. They set their research in the context of the biology of the five Cynomys species found in the United States and Mexico, and detail their investigation into the prairie dogs’ sophisticated system of barks, yips, and chirps, which Slobodchikoff argues represents a referential communication capable of fine distinctions among predators.

Seen as vermin that spoiled valuable rangeland, prairie dogs were long the subject of eradication campaigns and are now threatened by habitat loss and the loss of genetic diversity. The authors hope their research will help to pull the prairie dog back from the brink of extinction, as well as foster an appreciation of larger conservation challenges. By examining the complex factors behind prairie dog decline, we can begin to understand the problems inherent in our adversarial relationship with the natural world. Understanding these interactions is the first step toward a more sustainable future.